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No Service 1986*

Featured

Hopesongs*

A Photo Essay

Featured

Centersongs

A Short Film

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Centersongs*

A Photo Essay

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Sony Thoughts From Paris*

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New Portrait Diaries: Stillness in Milan*

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New Camera Diaries, London Fashion Week Edition*

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New Fashion Week Perspective*

Women

Milan.

Women

Milan.

Women

London.

Women

BREXIT.

Editorial

Asha for Majestic Disorder Magazine*

Editorial Women

London.

Editorial Women

AF 132*

Women

London.

Featured Music

Prince: 1958 – 2016

Women

London.

Backstage

B-Sides.

Backstage

B-Sides*

Backstage

B-Sides.

Women

London.

Backstage

B-Sides.

Men

London.

Women

London.

Editorial

AF 131*

Backstage

London.

Men

London Men.

Women

London.

Women

London.

Women

London*

Editorial Women

London.

Runway

PPQ FW16.

Women

New York.

Women

New York.

Runway

LACOSTE FW16*

Women

New York.

Women

New York.

Runway

R13 FW16*

Men

Michael.

Men

New York Mens.

Runway

Thomas Pink FW16*

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  • A woman and her journal, Morocco 2019. I had long made a name for myself by photographing strangers on the streets of the places I both lived and visited, but there came a point around 2016 or so when the fashion jobs got bigger and - in an effort to remain both relevant and legitimate with clients - the act of doing street photography was something that somehow devalued either my ability or worth as a photographer. To be honest, I fully believed in the things that were communicated to me regarding this because, let’s face it, when you do one thing and someone pays you very little and then you stop doing that and suddenly they pay exponentially more, one doesn’t need much more convincing. But I spent the second half of 2018 into the spring of 2019 extremely unhappy... not with my work but what it was I was comfortable communicating as an artist. I had picked up a camera in an effort to connect with people and suddenly that was “bad”. While on assignment in Morocco I was lamenting this very problem and the degree to which it was driving me mad when I saw this woman sketching in her journal at a cafe in Essaouria. I’d nearly forgotten how to ask a complete stranger not at a fashion week if I may take their photo. To this day I still get unsolicited advice from people who suggest that I shoot more of this or stop shooting that or focus more on these people and less on those people. In their own little ways they are no more wrong than they are right. But your intuition will always be your number one advisor.
  • Waiting it out with your people. Andrea & Fema, Mexico City. @honeybunnyf @seimandimf Contax G2 | Ilford HP5
  • Ellinor, Vogue Italy Berlin. Pentax 67 | Portra 800 @elli_per @vogueitalia #pentax67 #fujifilm #acros #acros100 #portrait
  • Val, Berlin 2019. @cryptid_millenial Contax G2 Portra 800 & Iflord HP5
  • Ellinor, Vogue Italy Berlin. Pentax 67 | Portra 800 @elli_per @vogueitalia #pentax67 #kodakprofessional #kodakportra800 #portra800 #kodak #portra #portrait
  • Instagram Image
  • Crépuscule, le 10eme Paris 2020.
  • Lachlan, Paris 2020. @lachrwatson
  • Xiao, Paris 2020. @jujujuxiaowen
  • Milan, the day before everything changed.
  • I’ve only done prints one time in my entire career, when I raised money to attend my very first London fashion week. Maybe this spring I’ll consider doing it again for those of you who are interested. Paris , 2020.
  • Paris, 2020. @fujifilmx_us #fujifilm #fujifilm_xseries #paris #pfw

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  • No Service 1986*
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