• About
  • Featured
  • Fashion
    • Editorial
    • Collections
    • Backstage
    • Models Off Duty
    • B-Sides
  • Portraits
    • Women
    • Men
  • Lifestyle
    • Music
    • Social
    • The Streets
    • Weekenders
  • Legal
    • Privacy Policy
    • Cookies Policy
Featured

No Service 1986*

Featured

Hopesongs*

A Photo Essay

Featured

Centersongs

A Short Film

Featured

Centersongs*

A Photo Essay

Featured

Sony Thoughts From Paris*

Featured

New Portrait Diaries: Stillness in Milan*

Featured

New Camera Diaries, London Fashion Week Edition*

Featured

New Fashion Week Perspective*

Women

Milan.

Women

Milan.

Women

London.

Women

BREXIT.

Editorial

Asha for Majestic Disorder Magazine*

Editorial Women

London.

Editorial Women

AF 132*

Women

London.

Featured Music

Prince: 1958 – 2016

Women

London.

Backstage

B-Sides.

Backstage

B-Sides*

Backstage

B-Sides.

Women

London.

Backstage

B-Sides.

Men

London.

Women

London.

Editorial

AF 131*

Backstage

London.

Men

London Men.

Women

London.

Women

London.

Women

London*

Editorial Women

London.

Runway

PPQ FW16.

Women

New York.

Women

New York.

Runway

LACOSTE FW16*

Women

New York.

Women

New York.

Runway

R13 FW16*

Men

Michael.

Men

New York Mens.

Runway

Thomas Pink FW16*

Load More

Instagram

  • Meeting People is Easy: 
How a summer long odyssey turned a two night layover at the Zoku Hotel in Amsterdam into 10 days documenting the staff and its guests. @livezoku @kellkong Contax G2 | Portra 800
  • Notes from the street, Lati & Mali Barcelona, 2019. @lati_s @malixjkf Pentax 67 | Portra 800
  • Notes from the street, Barcelona 2019. This summer I traveled around with my older Pentax 67 that I had fitted with a waistlevel finder (this means that instead of looking into the camera from the back, you look into it from the top down, hence the camera is held near the "waist"). I'd like to think that using Sunny 16 rules is a lost art of street photographers who needed to always hold a camera with two hands, so I've spent the summer with this camera and no light meter. Guessing exposures is not nearly as scary or random as it seems — esp outdoors — but I have enjoyed the freedom of shooting without having to worry about a technical thing like metering first. In a weird way, it makes seeing the world through a camera a little bit easier. Pentax 67 | Portra 400
  • Samia, Morocco 2019 Majestic Disorder Issue 11 You cant really tell, but Samia is standing in a pretty dark alleyway. We metered this light at 1/60th of a second at 800 ISO with a wide open aperture, but I wanted to overexpose it by two stops. This meant shooting it at 1/15th of a second. The problem was, I didn't have a tripod. So while handheld, I ended up carefully shooting a full roll with Samia in this spot in hopes that maybe one or two images would turn out. Luckily for us, exactly two did. If someone were to give me 20% odds on taking a non blurry shot with a shutter that slow with no tripod, I would happily accept that. @tafukt_ @majesticdisorder @laurasestito @katewhitelove @averybird12 Pentax 67ii | Portra 800 @richardphotolab
  • Samia, Essaouira 2019 Majestic Disorder Issue 11 This was a fashion shoot that was fraught with a lot of technical and personal difficulties, and things were happening that put a significant toll on production. The editorial was shot over the course of 7 days across Morocco and there were a few moments when I wondered if the thing I was trying to communicate in the camera would even translate to print. I don’t like shooting digital for a myriad of reasons but chief among them is trust; I prefer to shoot and leave everything to memory as it’s the only way that I can work in peace. I always trust my team. So it was on the day we took this photo, we arrived at the beach about 40 minutes before sunrise to set up this shot. And it was freezing, and I sent Samia out about 20 metres to the shore, barefoot, while the editor and crew stood some distance behind me as to not disturb the beach. And for 20 metres we walked parallel to the ocean before bringing Samia back so that we could capture this portrait without the need to Photoshop footprints out of the sand. Everything you see is how it was that morning, from the sand, to the shore on the horizon, to the sky, no retouch. This only happened because we trusted each other. @tafukt_ @majesticdisorder @laurasestito @katewhitelove @averybird12 Pentax 67ii | CineStill 800 @richardphotolab
  • The idea was to travel around shoot about 90 rolls of film this summer in a whole range of situations as a means of artistic exercise (so, portraits, candids, landscapes, anything and everything). On my first night in Berlin I met up with a group of friends at a dive bar somewhere between Friedrichshain and Kreuzberg when I discovered Natascha tending the bar. It was quite late, but just before leaving I expressed that I’d like to return and take her portrait. The bar itself looked quite old but it had character, so on my final evening in Berlin I returned to bar and once again found Natascha tending; I photographed her on just 10 frames of 6x7 film (1 roll) and, whilst chatting over a beer, witnessed one of the most epic Tinder date fails in history just a few tables away. Natascha, Berlin 2019. @natascha_merckens Pentax 67 | Portra 800
  • Condesa Andrea, Mexico City 2019. @honeybunnyf Pentax K1000 | Tri-X
  • Paris, 2019. Pentax K1000 Delta 100
  • Frances & Ricky, Vogue Italy New York, 2017. @the_prying_eye @ricky0_ois @vogueitalia Pentax K1000 | Acros 100 @richardphotolab
  • Vogue Italy Vermont, 2019. @vogueitalia Pentax 67 | Portra 400 @richardphotolab
  • Let Me Help You Fema, Mexico City 2019. @seimandimf @newiconmodels @honeybunnyf Contax G2 | Portra 800 @kodakprofessional @richardphotolab
  • Vermont, 2019. @kodakprofessional @richardphotolab Pentax 67 Portra 400

Recent Posts

  • No Service 1986*
  • Hopesongs*
  • Centersongs
  • Centersongs*
Back to top