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  • Ula, Strasbourg @ularru
  • Isadora & Laiza, Paris 2020 @isadora.olliveira_ @laizamooura
  • Lika, Paris 2020 @likarigvava
  • Somebody in Paris
  • A short film baring witness to the soul of a forgotten analog summer. Filmed in Galicia, Spain and originally released in 2018 in black and white, the short is newly presented here remastered in colour. With @alexacostaglz @mariaalonsobarc @guillegpresa @luciaaldatz @xoangris @martasaizmakeup @neryl.streep
  • Vigo Summer 1996 (from 2018) @mariaalonsobarc @luciaaldatz @xoangris @guillegpresa @alexacostaglz @martasaizmakeup @neryl.streep Contax G2 | Portra 400
  • People in London 2020
  • Paris, 2020.
  • Laura & Othman, Morocco. @laurasestito @oh.the.fuzz @majesticdisorder
  • A woman and her journal, Essaouira, Morocco 2019.
  • A woman and her journal, Morocco 2019. I had long made a name for myself by photographing strangers on the streets of the places I both lived and visited, but there came a point around 2016 or so when the fashion jobs got bigger and - in an effort to remain both relevant and legitimate with clients - the act of doing street photography was something that somehow devalued either my ability or worth as a photographer. To be honest, I fully believed in the things that were communicated to me regarding this because, let’s face it, when you do one thing and someone pays you very little and then you stop doing that and suddenly they pay exponentially more, one doesn’t need much more convincing. But I spent the second half of 2018 into the spring of 2019 extremely unhappy... not with my work but what it was I was comfortable communicating as an artist. I had picked up a camera in an effort to connect with people and suddenly that was “bad”. While on assignment in Morocco I was lamenting this very problem and the degree to which it was driving me mad when I saw this woman sketching in her journal at a cafe in Essaouria. I’d nearly forgotten how to ask a complete stranger not at a fashion week if I may take their photo. To this day I still get unsolicited advice from people who suggest that I shoot more of this or stop shooting that or focus more on these people and less on those people. In their own little ways they are no more wrong than they are right. But your intuition will always be your number one advisor.

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